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Ilja Coric – Film Music Composer

FROM BERLIN I PLANT AND NOURISH

MUSICAL GARDENS OF

MANY KINDS.

THOSE WHERE STORIES GROW,

I LOVE THE MOST.

SELECTED WORKS

Cinema, Germany, 2022

Additional Music, Music recordist

Director: Lars Jessen
Production: Florida Film

Immersive Art Experience, Seattle, 2023

Music composition with Julian Ganzer

Production: flora&faunavisions

Awards: Gold at BrandEx 2025

Cinema, Brazil, 2020

Music, as ” Loving Room”

Director: Eduardo Wannmacher

Cinema, Germany, 2023

Co-Composer

Director: Stefan Westerwelle    Production: Lieblingsfilm.     

Awards:
Best film in Zlin Film festival 2023,
Best childrens film,
“Preis der deutschen Filmkritik”

Listen on Spotify
Listen on Apple Music

Podcast, Germany, 2023

Music composer

Production: Studio Bummens & SWR

Filmic installation “Things to come”  Germany, 2019, Kunstmuseum Moritzburg Halle      

Music composer

Director: Angela Zumpe

Documentary, Suisse, 2019

Music composer

Director: Tamara Milosevic
Production: Lomotion

Premier at Visions du Reel festival, Nyon, 2019.

Short film, Germany, 2013

Music composer

Director: Bryn Chainey
Production: Anna Wendt Filmproduktion

Short film, Germany, 2010

Music composer

Director: Bryn Chainey      Production: Anna Wendt Filmproduktion

Awards: Winner at the Berlin, Today Award at Berlinale 2010

TV, Germany, 5 seasons, 2010-2014,  Sat1

Music composer

Production: UFA Fiction               

Awards: Jupiter Award, ” Best TV series, national”, 2012

TV, 5 piece series, Germany, 2017, Arte

Music composer

Production: Arcadia Filmproduktion

TV, 3 seasons, Germany, 2012- 2016, Arte

Music composer

Production: Parnass Film

HAVE A LISTEN

MUSIC CREATED FOR IT´S OWN SAKE.

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ABOUT

ABOUT ME

Hello, I am Ilja Coric. I live and work in Berlin as a musician, film music composer, and producer.

After studying jazz guitar at the Rotterdam Conservatory and Berklee College of Music in Boston, I came to Berlin, which I now call home. Since winning the VW Score Competition at the Berlinale Talent Campus in 2007, I have focused primarily on composing and producing music.

My work spans film, art, radio features, podcasts, live performances, and, more recently, immersive experiences and exhibitions.

Music has been my closest companion and teacher for most of my life.
It is my home, and I feel blessed to live in a house with many rooms, a garden with many flowers.

My projects reflect what I love most about my work: translating a wide range of emotions into diverse musical styles while supporting the creative vision of filmmakers. This passion continues to guide everything I do.

 

MY WORK

My music can be heard in numerous documentaries for Arte, including Faszination Wolkenkratzer, Russlands Pferde, Das Glück aus der Dose, Patient als Beute, among others.

I co-wrote the music for the award-winning feature Kannawoniwasein (with Stefan Maria Schneider) and also composed additional music for Mittagsstunde, directed by Lars Jessen.

The TV series Danni Lowinski and Überall, nur nicht hier ( ZDF Kleines Fernsehspiel ) were nominated for the German Television Award, including nominations for Best music at the Soundtrack Cologne.

Immersive experiences include my collaboration on Vikings – Entdecker und Eroberer in Hamburg and Utopian Garden in Seattle (both produced by Florafaunavisions in collaboration with composer Julian Ganzer).

Things to Come, a filmic installation created for Bauhaus 100 at the Kunstmuseum Moritzburg in Halle, is one of my musical highlights.

Radio features and podcasts include the true crime success Lubi – Ein Polizist stürzt ab (Studio Bummens), Wer hat Burak erschossen? and Geheimnisvolle Orte, among others.

I have had the pleasure of working with numerous filmmakers worldwide, including Gina Abatemarco (USA), John Hsu (Taiwan), Eduardo Wannmacher (Brazil, with the trio Loving Room), and British-Australian filmmaker Bryn Chainey, whose short films have won numerous awards and been screened at more than 80 film festivals worldwide.

My passion for electronic music has led to productions on labels such as Get Physical and remixes for artists including Rosenstolz and Booka Shade.
For many years, I performed as the live guitarist for the band Muckemacher.

Please visit my IMDB page for a complete filmography.

 
 

ABOUT ME

Hello, I am Ilja Coric. I live and work in Berlin as a musician, film music composer, and producer.

After studying jazz guitar at the Rotterdam Conservatory and Berklee College of Music in Boston, I came to Berlin, which I now call home. Since winning the VW Score Competition at the Berlinale Talent Campus in 2007, I have focused primarily on composing and producing music. My work spans film, art, radio features, podcasts, live performances, and, more recently, immersive experiences and exhibitions.

Music has been my closest companion and teacher for most of my life. 
It is my home, and I feel blessed to live in a house with many rooms, a garden with many flowers. 
My projects reflect what I love most about my work: translating a wide range of emotions into diverse musical styles while supporting the creative vision of filmmakers. This passion continues to guide everything I do.


MY WORK

My music can be heard in numerous documentaries for Arte, including Faszination Wolkenkratzer, Russlands Pferde, Das Glück aus der Dose, Patient als Beute, among others.

I co-wrote the music for the award-winning feature Kannawoniwasein (with Stefan Maria Schneider) and also composed additional music for Mittagsstunde, directed by Lars Jessen.

The TV series Danni Lowinski and Überall, nur nicht hier (ZDF Kleines Fernsehspiel) were nominated for the German Television Award, including nominations for Best Music at SoundTrack Cologne.

Immersive experiences include my collaboration on Vikings – Entdecker und Eroberer in Hamburg and Utopian Garden in Seattle (both produced by Florafaunavisions in collaboration with composer Julian Ganzer).
Things to Come, a filmic installation created for Bauhaus 100 at the Kunstmuseum Moritzburg in Halle, is one of my musical highlights.

Radio features and podcasts include the true crime success Lubi – Ein Polizist stürzt ab (Studio Bummens), Wer hat Burak erschossen? and Geheimnisvolle Orte, among others.

I have had the pleasure of working with numerous filmmakers worldwide, including Gina Abatemarco (USA), John Hsu (Taiwan), Eduardo Wannmacher (Brazil, with the trio Loving Room), and British-Australian filmmaker Bryn Chainey, whose short films have won numerous awards and been screened at more than 80 film festivals worldwide.

My passion for electronic music has led to productions on labels such as Get Physical and remixes for artists including Rosenstolz and Booka Shade.
For many years, I performed as the live guitarist for the band Muckemacher.

Please visit my IMDB page for a complete filmography.

 

The world through my lens

The world through
my lens

THE WORLD IS FULL OF BEAUTIFUL AND FASCINATING CREATURES, MOMENTS AND THINGS.

I LOVE CAPTURING AND EDITING THEM AND BRING THEM TO LIFE WITH  MY OWN MUSIC.

THE WORLD IS FULL OF BEAUTIFUL AND FASCINATING CREATURES, MOMENTS
AND THINGS.

I LOVE CAPTURING AND EDITING THEM 
AND BRING THEM TO LIFE WITH
MY OWN MUSIC.

THE CIRCLE. EVERYTHING COMES BACK.

PANTA RHEI

JOY & BLISS

THE PROMISED LAND

TAKE ME TO THE BEACH

THE GHOST IN THE GLASS

SHADOWS

GEE, I COULD HAVE SWORN IT WAS HERE SOMEWHERE

theradioaffair

theradioaffair

THERADIOAFFAIR is a music library featuring exclusively my own tracks. The focus is on minimalistic compositions, ideally suited for radio features and documentaries.

You will find music that is off the beaten path. If your project calls for music with a distinctive signature, feel free to visit www.theradioaffair.com .

The music can be easily licensed, and when used on public radio or television, it is free of charge due to the GEMA blanket agreement (Gemarahmenvertrag) with these broadcasters.

               

THERADIOAFFAIR is a music library featuring exclusively my own tracks. The focus is on minimalistic compositions, ideally suited for radio features and documentaries.

You will find music that is off the beaten path. If your project calls for music with a distinctive signature, feel free to visit www.theradioaffair.com .

The music can be easily licensed, and when used on public radio or television, it is free of charge due to the GEMA blanket agreement (Gemarahmenvertrag) with these broadcasters.

CONTACT

  • ILJA CORIC
  • +49 179 1463981
  • info@iljacoric.com


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